Judy bri fman4/2/2023 ![]() ![]() Bronfman's father, Edward Bronfman, and his uncle, Peter Bronfman, owned the team in the 1970s. In court, the Bronfmans called Marc Juteau, of Montreal-based Classic Auctions Inc., a company that specializes in high-end sports memorabilia, to testify about the value of the two missing Montreal Canadiens Stanley Cup rings. Four years ago, thieves broke into Paul and Judy Bronfman's Toronto mansion and reportedly made off with more than 2-million worth of jewellery, including a long list of gold and silver family. Plus, BFL alleges, in 2004, the Bronfmans boosted their jewellery coverage from $10,000 to $20,000, suggesting they "were aware of the limits of their jewellery coverage and made a conscious decision not to add additional coverage prior to the robbery." And they say that given the firm's knowledge of their "standard of living and the contents of their home and cottage, BFL knew or ought to have known that the Plaintiffs required substantial insurance for such contents, including jewellery and cash."īFL, which had been the couple's insurance broker since 2004, counters in a statement of defence filed with the court that alleged the Bronfmans "were aware of the limits of coverage." The firm says it reminded the Bronfmans, in letters about annual policy renewals, that "valuable items such as jewellery, furs, fine arts, securities, etc. The script also includes a subplot in which Garland is rescued by two “friends of Judy” that feels more contrived than a well-meaning tribute.The Bronfmans allege BFL failed to advise them of "unreasonable gaps" in their coverage. It feels like an artless attempt to seem deep. Some of the shots during the performances are unforgivably atrocious, cutting Judy’s face out of frame so that she holds less than a third of the screen and the empty air hogs the rest. ![]() Goold manhandles these scenes with poor directing, barely masking Zellweger’s noticeable lip syncing. But even the show-stopping numbers with Garland’s hits fail to strike the right tone. Better to punch up the details for some dramatic tension than to play it out like a dusty made-for-TV documentary. Of course, it’s not altogether factual-there’s entertainment to be made. The audience is meant to feel and see every muscle in her strained back and flailing arms while performing, but watching the actress work is not why most of us would buy a ticket to “Judy.”įor purists and die-hard fans, “Judy” might smack of heresy. In trying so hard, Zellweger defeats herself. Try as she might, Zellweger’s Judy never goes beyond an impression of the multi-talented artist her all-caps version of acting fails to allow the role to feel natural. JUDITH BRIFMAN (WARRINER) OBITUARY FebruJanusacramento, CA Our beloved Judith peacefully passed away after a short illness at the age of 73. These tweaks and fidgets may be so noticeable because the team behind the film might have hoped to chase that “A Star is Born” awards luster, or court groups with a penchant for rewarding mediocre biopics. If V never chooses to befriend her, there are many details they miss out on. Either way, there are spots in the movie where Zellweger’s affected manners become too distracting and overshadow everything else around her. Judy Alvarez is a true stand out in the buggy world of Cyberpunk 2077. Or, perhaps this is her idea of drug-induced twitching. If only they knew what the audience could see in the movie’s flashbacks to Judy’s tortured past.Īs played by Renée Zellweger, this Judy is painfully and visibly anxious. Unfortunately, no one understands the trauma Judy endured in her childhood years, and many of her present-day handlers and casual observers write her off as merely a has-been diva. She leaves her two younger children, Lorna and Joe, in the care of their father Sidney ( Rufus Sewell) and embarks on yer another redemption tour in England that would help revitalize both her reputation and her fortunes. Although she gives her everything on stage, behind-the-scenes, she’s broke and in desperate need of another break. Adapted by Tom Edge from Peter Quilter’s play, Goold’s “Judy” finds its star struggling to stay afloat in Los Angeles and London. ![]()
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